加拿大论文代写:摄影
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这是一个重要的介绍点要注意两个原因。首先,我们可以看到摄影和大型工业印刷时代的到来促进了先锋建筑师如在自己一生的名人地位上升的Antoni Gaudi。没有技术的胜利和连锁效应,这就为在第十九世纪末艺术的传播,我们只想知道高迪是否会成为他的时代典型的加泰罗尼亚modernismo因为–正如我们将看到的–赞助经济势在必行,支撑着他所有的西班牙建筑。其次,我们可以看到在这个时间艺术的国际化有深远的影响,在与高迪的第十九世纪后期和早期第二十世纪之间的艺术风格,一种融合Mediterranean、哥特式和自然主义盛行,加泰罗尼亚。因此,而世纪八十年代和九十年代见证了影响融合不同的技术和文化对艺术、高迪、现代派与门徒的艺术把他无情地附着会融合多种不同甚至相互竞争的方式来重塑第二十世纪的艺术和建筑景观。这是对艺术和建筑的改造从安东尼高迪的工作角度出发,现在我们必须把我们的注意力。
加拿大论文代写:摄影
This is an important introductory point to note for two reasons. Firstly, we can see how the advent of the era of photography and the large-scale industrial printing press facilitated the rise of pioneering architects such as Antoni Gaudi to the status of celebrities within their own lifetime. Without the triumph of technology and the knock-on effect that this had for the dissemination of art during the late nineteenth century, we can only wonder whether Gaudi would have become the quintessential Catalan Modernismo of his time because – as we shall see – patronage was the economic imperative that underpinned all of his Spanish architecture. Secondly, we can see how the internationalisation of art at this time had a profound and lasting impact upon Antoni Gaudi’s late nineteenth century and early twentieth century work with a discernible fusion between art nouveau, Mediterranean, Gothic, Catalan and naturalism prevalent throughout. Therefore, whereas the 1880s and 1890s witnessed the impact of the fusion of different technologies and cultures upon art, Gaudi, the modernists and the disciples of art nouveau to whom he was inexorably attached would fuse a variety of different and often competing styles together in order to reinvent the landscape of twentieth century art and architecture. It is towards the reinvention of art and architecture as viewed from the perspective of the work of Antoni Gaudi that we must now turn our attention.
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